Apple's first logo
Ok, you problably know this, but I had never seen this logo before:
The first Apple's logotype, designed by Ronald Wayne. Wow... and check the first computer, the Apple I:
Long live Wikipedia (Typography of Apple Inc).
Ok, you problably know this, but I had never seen this logo before:
The first Apple's logotype, designed by Ronald Wayne. Wow... and check the first computer, the Apple I:
Long live Wikipedia (Typography of Apple Inc).
Typed by
Pedro Serrão
at
12:03 PM
232
comments
The first book devoted entirely to typographic tattoos.
It has been called INSPIRING, SHOCKING, AND VOYEURISTIC... BODY TYPE explores the ideas and emotions behind this indelible commitment.
From Shakespeare to Radiohead, from Dante to James Joyce, from celebrations of love to homage and memorial, the wide breadth of messages captured provides insight into the human condition.
BODY TYPE is not only for tattoo aficionados, but also for all lovers of the written word.
Get it here.
Typed by
Pedro Serrão
at
10:56 AM
75
comments
Labels: Body, Fonts, Identity, Interactive
With her first line of clothing due to cause riots in Topshop at the beginning of next month, plus other projects in the pipeline, Brand Moss has arrived, her new image sealed by an identity masterminded by Peter Saville, in collaboration with typographer Paul Barnes.
Read the full article at Creative Review.
hi!
Source: Making Known - The Blog
Typed by
Pedro Serrão
at
4:48 PM
3
comments
Labels: Graphic Design, Grid, Identity, Posters
TIME Magazine has been redesigned by Pentagram.
As Stengel says in the editor’s letter in the new issue, “This issue of TIME marks a new beginning. The magazine has a new look and structure. Every issue of TIME tells a larger story about the world we live in, and we wanted to create a design that would best present that story.”
“The magazine has been modernized,” Hayman agrees, “but it still has the TIME ‘DNA.’ We deliberately chose fonts and design elements that echo classic TIME magazine.” During the redesign process, Hayman worked closely with TIME’s in-house team, including Stengel, Hochstein and deputy art directors Cynthia Hoffman and D.W. Pine.
Paula Scher, who collaborated with Hayman on the redesign prototype, explained part of the thought process behind the project. “We created a system that we thought would resonate with today’s readers. It’s full of quick bits and relevant info, but still retains the spirit of TIME. We used the display typeface Franklin Gothic that was part of the history of the magazine, and revisited the grid used by Walter Bernard,” the legendary editorial designer.
Source: Pentagram's Blog.
Typed by
Pedro Serrão
at
9:35 PM
15
comments
Labels: Graphic Design, Identity, Magazines
Typed by
Pedro Serrão
at
11:10 PM
5
comments
Labels: Designers, Graphic Design, Identity, Posters
Siruca™ is a custom stencil font designed for low-budget signage projects, together with its pictograms.
Also check other fonts by Fabrizio Schavi.
Typed by
Pedro Serrão
at
6:19 PM
14
comments
Labels: Designers, Fonts, Graphic Design, Identity
The typography was originally based on Franklin Gothic, over 100 years old and still looking as fresh as a daisy. Strong, solid, clear, no messin’. Then it was a matter of getting it flowing together smoothly, focusing on the shapes of each character and almost morphing them into each other so that it wasn’t just four independent letters but one seamless sculptural piece. This involved a lot of squinting and standing back until it felt right.
This is an example of what you can find at Brand New, a Speak Up spin-off displaying opinions, and focusing on corporate and brand identity work. It is a division of UnderConsideration.
Typed by
Pedro Serrão
at
11:21 AM
2
comments
Labels: Fonts, Identity, Interviews, Resources