From now on, typeforyou blog will be at www.typeforyou.org.
See you there! ;)
Thursday, September 20, 2007
Tuesday, September 11, 2007
The design layout... (40%)
Interview someboy. (31%)
Font reviews would be nice. (25%)
Change to wordpress please! (18%)
Don´t bother (15%)
Thanks for your input. The results pretty much reflect what I thought also. If you have any more suggestions please send an email.
A new typeforyou.org is being made, to be launched next week (yes, in wordpress).
Monday, September 10, 2007
Thursday, September 06, 2007
Friday, August 31, 2007
Wednesday, August 29, 2007
Matrix II is a complete reworking of the Matrix type family which was originally designed by Zuzana Licko in 1985. The redesign, which started in January 2007, was initiated by the need to create an OpenType version of Matrix. With the hood open, so to speak, Licko used the opportunity to make subtle changes and to fine tune many of the existing characters which were designed some 20 years ago. The contrast between thick and thin strokes was decreased in some instances, and overshoots were corrected. The width of various characters was adjusted and regularized. The cross stroke on the f was simplified on most weights. The design of the lower case g was revisited and an alternate single story version was designed and added to the OpenType version. Seven new fonts were also added to the family: a Semi Narrow, Semi Wide, Semi Tall, Inline Italic, and 3 weights of Italic - a less flamboyant version of Matrix Script. To clearly set this version apart from the original Matrix, and to avoid conflict with previous versions, its name was amended to Matrix II.
To read the full story behind the design and redesign of Matrix, please visit our website:
Tuesday, August 21, 2007
Tobias battenberg, from Germany, made a nice experiment with video projections in several buildings and structures in the city, about the font "akzidenz grotesk".
Akzidenz grotesk is known as a font that tolerates a lot, that holds out a lot - my plan was to get a proof by the font herself. the font demonstrated her character at its best.
Very nice, take a look.
125 x 125 mm, 700 Seiten / pages, ca. 600 Abbildungen / approx. 600 Images.
gepolstertes Hardcover / wadded Hardcover
Deutsch / English / Francais / Espagnol / Italiano
Friday, August 03, 2007
Meek FM is an interpretation of type as sound. Using new software and the M.E.E.K. typographic synthesizer, the musician/designer develops sounds and typographic visuals in parallel. Meek FM will be premiering as an interactive installation at the Typo2007. The Meek FM team will also perform live at the Festival event.
Monday, July 30, 2007
Saturday, July 14, 2007
Friday, July 13, 2007
Eric Olson, designer of Bryant and Stratum has just released Seravek:
Seravek is a linear sans serif designed for identity, editorial and information design. Five weights spanning Bold to Extra Light with italics and small caps allow for a range of applications both typographic and utilitarian in nature
Eric Olson is a type designer and teacher living in Saint Paul Minnesota. He has worked as a designer for Intermedia Arts, The Walker Art Center, and later as Information Repair.
In addition to developing typefaces for the Process Type Foundry, he teaches typography and type design at the Minneapolis College of Art and Design (MCAD).
Tuesday, July 10, 2007
The Musalman is possibly the last handwritten newspaper in the world. Four professional calligraphers spend three hours on each page every single day to put out this daily paper.
Monday, July 09, 2007
Mark Boulton has a nice article over on his blog on incremental leading.
Also, don´t miss ‘Compose to a Vertical Rhythm’ from Richard Rutter, and the article on Baseline Grids, from a List Apart.
Source: Mark Boulton
Wednesday, June 27, 2007
Tuesday, June 26, 2007
For you in London, don't miss the Letterpress Matters exhibition and workshops, 3-7 July 2007 at Camberwell College of Arts:
It is no coincidence that type was traditionally referred to as matter. In a time when the last generation of professionally-trained compositors are retiring, Letterpress Matters, as part of the Postgraduate Summer Show 2007 at Camberwell College of Arts, explores the inherent material nature of letterpress and celebrates its new possibilities in our ever more digitally-engaged contemporary culture.
The integrity of letterpress lies in its material and physical process. Therefore, involving the audience as much as I myself am involved in the hands-on printing process is crucial. So come and join a guided tour of the letterpress workshop at our very own Camberwell College of Arts. With the rich history of the Camberwell Press and the technical expertise of Ian Primarolo, the letterpress workshop is now a rare and inimitable place.